Abstract
Recent work on anatomical face modeling focuses mainly on facial muscles and
their activation which generate facial expressions. In this paper, we consider
a different aspect of anatomical face modeling: kinematic modeling of the jaw,
i.e., the Temporo-Mandibular Joint (TMJ). Previous work often relies on simple
models of jaw kinematics, even though the actual physiological behavior of the
TMJ is quite complex, allowing not only for mouth opening, but also for some
amount of sideways (lateral) and front-to-back (protrusion) motions.
Fortuitously, the TMJ is the only joint whose kinematics can be accurately
measured with optical methods, because the bones of the lower and upper jaw are
rigidly connected to the lower and upper teeth. We construct a person-specific
jaw kinematic model by asking an actor to exercise the entire range of motion
of the jaw while keeping the lips open so that the teeth are at least partially
visible. This performance is recorded with three calibrated cameras. We obtain
highly accurate 3D models of the teeth with a standard dental scanner and use
these models to reconstruct the rigid body trajectories of the teeth from the
videos (markerless tracking). The relative rigid transformations samples
between the lower and upper teeth are mapped to the Lie algebra of rigid body
motions in order to linearize the rotational motion. Our main contribution is
to fit these samples with a three-dimensional nonlinear model parameterizing
the entire range of motion of the TMJ. We show that standard Principal
Component Analysis (PCA) fails to capture the nonlinear trajectories of the
moving mandible. However, we found these nonlinearities can be captured with a
special modification of autoencoder neural networks known as Nonlinear PCA. By
mapping back to the Lie group of rigid transformations, we obtain
parameterization of the jaw kinematics which provides an intuitive interface
allowing the animators to explore realistic jaw motions in a user-friendly way.
Full Text
BibTeX
The Visual Computer 35(6–8):1105–1118, 2019
(CGI 2019, Calgary, Canada, June 2019)
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